The Global Sixties in Sound and Vision: Media, Counterculture, Revolt

1. Red Noise: Pop and Politics in Post-1968 France; Jonathyne Briggs 2. Mapping Tropicália; Christopher Dunn 3. Magical Mystery Tours: Godard and Antonioni in America; David Fresko 4. Turning Inwards: The Politics of Privacy in the New American Cinema; Joshua Guilford 5. Utopia and Dystopia in Science Fiction Films around 1968; Kathrin Fahlenbrach 6. "Musical & Magical Counterpoint': Language, Sound, and Image in Wallace Berman's Aleph, 1956-1966; Chelsea Behle Fralick 7. Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock Music; Wolfgang Kraushaar 8. "The Revolution is over - and we have won!': Alfred Hilsberg, West German Punk and the Sixties; Jeff Hayton 9. The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records; Kevin Fellezs 10. "A Weapon In Our Struggle For Liberation": Black Arts, Black Power, and the 1969 Pan-African Cultural Festival; Samir Meghelli 11. The Revolution Will Not Be Televised, but It Will Be Recorded: Soul, Funk, and the Black Urban Experience, 1968-1979; Francesca D'Amico 12. Jukebox Modernism: The Transatlantic Sight and Sound of Peter Blake's Got a Girl (1960-1961); Melissa L. Mednicov 13. Uninteresting Pictures: Art and Technocracy, 1968; Joshua Shannon 14. 1968 and the Future of Information; Andrew Lison