Eastern European Popular Music in a Transnational Context: Beyond the Borders

1. Introduction: Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Györi.- Part 1: Bringing Foreign Music to the European East.- 2. Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik.- 3. Quiet Fanaticism: The Phenomenon of Leonard Cohen's Popularity in Poland, Ewa Mazierska and Xawery Stanczyk.- 4. Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Stanczyk.- 5. Eastern Europe as Punk Frontier, Aimar Ventsel.- Part 2: Eastern European Music Crossing the Borders.- 6. Success, Failure, Splendid Isolation: Czeslaw Niemen's Career in Europe, Mariusz Gradowski.- 7. Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska.- 8. Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamanic and Manuela Unverdorben.- Part 3: Liminal Spaces of Eastern European Music Festivals.- 9. The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic.- 10. Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Györi.- 11. A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu.