Heritage Wood: Investigation and Conservation of Art on Wood

An Investigation of the Feasibility of the Use of Gels and Emulsions in Cleaning of Wooden Gilded Surfaces. Part A: Removal of Brass-Based Overpainting; M. Sawicki et al.- An Investigation of the Feasibility of the Use of Gels and Emulsions in Cleaning of Gilded Wooden Surfaces. Part B: Cleaning of Soiled Oil-Gilding; M. Sawicki et al.- New Consolidants for the Conservation of Archeological Wood; Z. Walsh-Korb et al.- Analytical examination and conservation of East Asian lacquer works from European collections; V. Pitthard et al.- Technology for technology's sake: The technical study of Gothic miniature boxwood carvings in the Thomson Collection at the Art Gallery of Ontario; L. Ellis.- The use of a copper green oil paint in the interiors of Eidsvoll Manor in Norway: Analysis of a discoloured architectural paint from 1814; E. Verweij et al.- A Polychrome Wooden Interior from Damascus: A Multi-Method Approach for the Identification of Manufacturing Techniques, Materials and Art Historical Background; P. Kovács-Mravik et al.- An original approach to the active climate control based on Equilibrium Moisture Content (EMC) as setpoint in a middle-age buidling in Palermo, Italy; P. Dionisi-Vinci, D. Romano.- The influence of low temperature on moisture transport and deformation in wood: A neglected area of research; C. Bylund Melin.- Conservation and technological research of a polychrome sculpture of Christ on a donkey from the workshop of Michel and Gregor Erhart; K. Meczynska, A. Michnikowska.- Mufti-disciplinary complex research to reconsider basic questions on attribution and dating of the Last Judgment triptych from National Museum in Gdansk by Rogier van der Weyden and Hans Memling; I. Szmelter,T. Wazny.