East Asian Cinema and Cultural Heritage: From China, Hong Kong, Taiwan to Japan and South Korea

Reclaiming a Legacy, Reinventing the Nation: The Epic Martial Arts Drama; D.Desser Forging a Global Soundscape: Inventing a 'Chinese' Heritage or Succumbing to Mainstream Sonic Culture of Western Movies?; S.Yu Contested Heritage: Cinema, Collective Memory, and the Politics of Local Heritage in Hong Kong; V.P.Y.Lee Traditional Chinese Aesthetics and Contemporary Chinese Films: Applying the Idea of qiyun to Understand the Temporal Structure of Selected Films of Hou Hsiao-hsien and Wong Kar-wai; W.Lo Reading the Glove Puppetry in Hou Hsiao-hsien's The Puppetmaster; W.Lin A 'Horrible' Legacy: Noh and J-horror; K.Yau The Loyal 47 R o nin Never Die: Influence of Ch u shingura on Japanese War Films; K.Yau Bringing the Tradition to the Modern; S.Kim Constructing East Asian Cinema through Cultural Geopolitics: King Hu's Come Drink with Me (1966) and the Evolution of Korean Martial Arts Films and Literatures in the 1960s; S.Lee