Technology, Monstrosity, and Reproduction in Twenty-first Century Horror
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Introduction: Imagining the Ends of Horror and of Humanity 1. Meta-horror and Simulation in the Scream series and The Cabin in the Woods 2. The Image Goes Viral: Virtual Hauntings in The Ring and Feardotcom 3. The Image as Voracious Eye in The Blair Witch Project, the Paranormal Activity series, and Cloverfield 4. Memory, Pregnancy, and Technological Archive in Dark Water and The Forgotten 5. The End of Patriarchy: Defining the Postmodern Prometheus in Splice and Prometheus 6. Conclusion: A New Mythology for Techno-Humanity
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