Cinema and Technology: Cultures, Theories, Practices

Biographical Notes Acknowledgements Introduction: B.Bennett, M.Furstenau& A.Mackenzie PART 1: FORMAT The Perilous Gauge: Canadian Independent Film Exhibition and the 16mm Mobile Menace; P.Lester BMW Films and the Star Wars Kid: 'Early Web Cinema' and Technology; A.Clay On Some Limits to Film Theory (Mainly From Science); J.Elkins PART 2: NORMS Socially Combustible: Panicky People, Flammable Films, and the Dangerous New Technology of the Nickelodeon; P.Moore Cinema and its Doubles: Kittler vs. Deleuze; J.Harris Genomic Science in Contemporary Film: Institutions, Individuals and Genre; K.O'Riordan PART 3: SCANNING Cinema as Technology: Encounters with an Interface; A.Wood Demonlover : Interval, Affect and the Aesthetics of Digital Dislocation; M.Manojlovic 'Into the décor': Attention and Distraction, Foreground and Background; C.Rodrigues Children, Robots, Cinephilia and Technophobia; B.Bennett PART 4: MOVEMENT Lola and the Vampire: Technologies of Time and Movement in German Cinema; M.Langford Inbetweening: Animation, Deleuze, Film Theory; B.Schaffer Affective Troubles and Cinema; M-L.Angerer Afterword: Digital Cinema and the Apparatus: Archaeologies, Epistemologies, Ontologies; T.Elsaesser Bibliography Index