Mediations of Disruption in Post-Conflict Cinema
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Beschreibung
INTRODUCTION: Towards a Poetics of Conflict in Film Adriana Martins, Alexandra Lopes, Mónica Dias.- SECTION I: MANAGING OBLIVION AND SILENCE Post-Conflict Cinema: Beyond Truth and Reconciliation? Thomas Elsaesser.- The Sovereign's Broken Voice Isabel Capeloa Gil.- Long is the Road: Politics of Memory in an Early Jewish-German Postwar Film Geesa Marie Tuch.- Cinema and Conflict in Postcolonial Mozambique: Archival Images as Illustration and Evidence in Estas São as Armas (1978) Robert Stock.- 'What's this war in the heart of nature?' Fire, Water, Earth and Air in Terrence Malick's The Third Red Line.- Frank A. Anselmo.- SECTION II: COPING WITH TERRORISM The Trauma of Terrorism: Post 9/11 Hollywood Cinema Thomas Riegler.- A Letter to Osama Bin Laden. On Healing and Conciliation in Sharon Maguire's Incendiary Mónica Dias.- Memory and Representation: Japanese Terrorism in Distance and United Red Army Nuno Barradas Jorge.- Outbreak in Contemporary Conflict Cinema: A Case Study of Steve McQueen's Hunger Alessandro Zir.- SECTION III: BODIES IN TRANSIT A Look Back or a Look Ahead? Cinematographic Approaches toward the 'Refugee Problem' in Post-War Germany.- Alina Laura Tiews.- Londres en Colère. Of 'Translated (Wo)men', Cinema & The City of Our (Dis)contentAlexandra Lopes.- A Palestinian Film We Call Home: Women's Cinematic Bodies out of Place Shahd Wadi.- Challenging Notions of War: Sexual Exploitation of Eastern Migrants in Promised Land Júlia Garraio.- Index
Eigenschaften
Breite: | 152 |
Gewicht: | 440 g |
Höhe: | 221 |
Länge: | 19 |
Seiten: | 219 |
Sprachen: | Englisch |
Autor: | Adriana Martins, Alexandra Lopes, Mónica Dias |
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