Hong Kong and Bollywood: Globalization of Asian Cinemas

1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei LeePart I The Politics of Representation and Representation of Politics2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau4  Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas6 1911: Cinematic Contradictions of Greater China Siu-Keung CheungPart II: The Crisis of Representation and Representation of Crisis7 What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema Jing Jing Chang9 Slum Extravaganza! Cultural and Geopolitical Representation of Dharavi in Celluloid India Sony Jalarajan Raj and Rohini Sreekumar10 Life without Principle: Financial Irregularities in Hong Kong Siu-Keung CheungPart III: The Aesthetics of Representation and Representation of Aesthetics11 Questioning Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema Surajit Chakravarty12 Naqal and the Aesthetics of the Copy Anjali Gera Roy13 Undercranking and Step-printing in Wong Kar-Wai's Filmography Patrick Sullivan14 Mirrored Alterity: The Imaginary China and the Comedic Self in Chandi Chowk to China Michael A. Mikita15 Hong Kong, Film, and the Building of China's Soft Power: The Cross-Promotion of Chinese Film on Globally-Oriented State Television Lauren Gorfinkel and Xuezhong Su