Anamorphic Authorship in Canonical Film Adaptation: A Case Study of Shakespearean Films
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Beschreibung
1. Introduction.- Part I: From Barthesian and Bakhtinian to Benvenistene Adaptation Studies: Theories of Film Adaptation.- 2. Dialogism and the Radical Text.- 3. Poststructuralism and the Radical Critic.- 4. The Dead Author and the Concealed Author.- Part II: The Drama of Authorship: A Taxonomy of Anamorphic Authorship.- 5. 'Fainomaic' Adaptation from the Verbal to the Visual.- 6. 'Állagmic' Adaptation from Shakespearean to Non-(/Less-)Shakespearean Settings.- 7. The Drama of Foreknowledge.- 8. The Drama of the Diegetic Author.- 9. Conclusion.
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