Joan of Arc on the Stage and Her Sisters in Sublime Sanctity

Chapter 1.  The Palimpsest of Euripides, Shakespeare, and Voltaire
Part I. Euripides and IphigeniaPart II.  Shakespeare and JoanPart III. Voltaire and JeanneChapter 2.  Sublime Sanctity: Schiller's New Tragic JoanChapter 3.  Lacuna and Enigma: Verdi's Giovanna d'Arco in Light of Schiller's PlayChapter 4.  Patriotic Elegy and Epic Illusion: Schiller's Johanna in Russia Part I.  Zhukovsky's Orleanskaya deva ("Maid of Orleans")Part II.  The Genesis of Tchaikovsky's Orleanskaya devaChapter 5.  The Skeptic Doth Protest Too Much, Methinks: Shaw's Saint Joan. Concluding Thoughts on Joan in the Twentieth and Twenty-first CenturiesAppendicesAppendix 1. Table Comparing the Spelling of NamesAppendix 2. Translations of Johanna's Speech and Joan's Letter to Henry VIAppendix 3. Translations of Texts Cited in Chapter 4BibliographyAbbreviationsChapter 1Chapter 2Chapter 3Chapter 4Chapter 5End NotesChapter 1 NotesChapter 2 NotesChapter 3 NotesChapter 4 NotesChapter 5 NotesIndex