Performance Phenomenology: To The Thing Itself

1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner.- 2. The Essential Question: So what's phenomenological about Performance Phenomenology?; Stuart Grant.- 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone.- 4. The unnamed origin of the performative in Heidegger's interpretation of Aristotelian Phron sis; Stuart Grant.- 5. A Phenomenology of Being Seen; Sondra Fraleigh.- 6. 'A unique way of being': The place of music in Merleau-Ponty's Phenomenology of Perception; Marc Duby.- 7. Foregrounding the imagination: re-reflecting on dancers' engagement with video self-recordings; Shantel Ehrenberg.- 8. Sensing Film Performance; Sean Redmond.- 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie.- 10. On Not Being Able to Dance: The Interring; Robert P. Crease.-11. Performance Criticism: Live writing as phenomenological poi sis; Diana Damian Martin.- 12. The Erotic Reduction: Crossed flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart.- 13. Sound Design: A Phenomenology; Christopher Wenn.- 14. Acting without 'meaning' or 'motivation': A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli.- 15. Thinking with Performance; Ian Maxwell.