Animal Perception and Literary Language

Foreword: Animalist Perception and Interpretation 

Part I: Imbroglios of Humans and Nonhumans

      1. How the Razor's Edge Becomes a Saw to the Armed Vision

      2. Intellectual Histories of the Imbroglio Human/Nonhuman

      3. Jacques Derrida and Gernot Böhme: Critique of Existing Discourses on Our Animality

      4. Literary Imbroglios: SciFi and Prose Poem

Part II: Perception, Cognition, Writing

      2. Replacing Perception into the Continuity of Cognition, Emotion, and Memory

      3. Four Scholars on Five Senses

      4. The Creations of Sound

Part III: Attributes of Animalist Thinking

       1, Intercreatural

     2. Creativity

     3.Embodied Mind

     4. Dialogism

      5. Amplification of Affect, With an Example from Annie Dillard

Part IV: Animalist Thinking From Lucretius to Temple Grandin

         1. Imbroglios of Humans and Nonhumans, Once Again

       2. Lucretius

         3. Michel de Montaigne

        4. Samuel Taylor Coleridge

        6. Alphonso Lingis

        7. Laurie Shannon

        8. Brian Massumi

        9. Temple Grandin

        10. What Ice-Age Caves Afford to Aurochs in Manganese

       1. Our Experience of the Body, Ready for an Imaginary Action

       2. Perception and Expectation in the Array of 12

         3. Uses of the Array of 12 as a Return to the Material Universe

Afterword: Alphabet for Animalists