Fashion and Authorship: Literary Production and Cultural Style from the Eighteenth to the Twenty-Fir

Chapter 1. Introduction by Gerald Egan

Chapter 2. Pastoral Authorship and Porcelain Figurines: Pope's Elite Aesthetic and the Fashionable Decorative Commodity by Lauren Miskin

Chapter 3. "Magnificent as well as Singular": Hester Thrale's Polynesian Court Dress of 1781 by Serena Dyer

Chapter 4. Becoming Somebody: Refashioning the Body Politic in Mary Robinson's Nobody by Terry F. Robinson

Chapter 5. Nobleman Incognito: Byron's Albanian Dress by Gerald Egan

Chapter 6. Fraser's Magazine and the Instability of Literary Fashion by Richard Salmon

Chapter 7. Fashioning Femininity in the 1840s: Charlotte Brontë and Villette by Birgitta Berglund

Chapter 8. No Room for the 'Woman of Fashion': Male Authorship, Anti-fashion, and Wilkie Collins' The Woman in White by Loretta Clayton

Chapter 9. The Writer and the Couturière: Authorship and Creative Industry in the 1870s by Patricia Zakreski

Chapter 10. 'Down to the last button . . . in the fashion of the hour': Virginia Woolf and the Writer of Modern Fiction by Randi Koppen

 Chapter 11. Fashioning Modern and Modernist Authorship: Rebecca West in the 1920s and 1930s by Margaret D. Stetz

 Chapter 12. Fashion as Self-Authorship, Escape from Fascist Terror, and Witness Testimony by Phyllis Lassner

Chapter 13. Fantasies of Femininity Redressed: Angela Carter's Authorial Self-Fashioning by Kimberly J. Lau

Chapter 14. "Style description: / Provenance: / Period:":  Martin Margiela, Fashion Authorship and Romantic Literary History by Timothy Campbell