Chinese Adaptations of Brecht: Appropriation and Intertextuality
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Beschreibung
Chapter 1: Introduction.- Chapter 2: One Director, Three Takes: Chen Yong's Reinterpretations of Life of Galileo, The Caucasian Chalk Circle, and The Threepenny Opera.- Chapter 3 Good Persons of Sichuan, Jiangnan, and Beijing: Brecht's The Good Person of Szechwan and Chinese Xiqu Adaptations.- Chapter 4: Concentric Circles: Two Chuanju Reinterpretations of The Caucasian Chalk Circle as The Chalk Circle.- Chapter 5: Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht's Turandot and Wei Minglun's Chuanju Play Chinese Princess Dulanduo.- Chapter 6: Brecht and Mao Zedong: Two Sides of "The Other Side" and "Twice Removed" Vision of "Snow".- Chapter 7: Conclusion.
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