Carson McCullers in the Twenty-First Century

Preface

Acknowledgments

From Adaptation to Influence: Carson McCullers on the Stage, By Casey Kayser            

"Impromptu Journal of My Heart": Carson McCullers's Therapeutic Recordings, April - May 1958, By Carlos Dews               

Collaborative Life Writing: The Dialogical Subject of Carson McCullers' Dictaphone 'Experiments' and Posthumously Published Autobiography, Illumination and Night Glare, By Melanie Sherazi        

Telling It "Slant":  Carson McCullers, Harper Lee, and the Veil of Memory, By Jan Whitt  

The Image of the String Quartet Lurking in The Heart Is a Lonely Hunter, By Kiyoko Magome       

Entering the Compound: Becoming with Carson McCullers' Freaks, By renée c. hoogland             

"To be a good animal": Toward a Queer-Posthumanist Reading of Reflections in a Golden Eye, By Temple Gowan               

Coming of Age in the Queer South: Queer Friendship in The Heart is a Lonely Hunter, By Kristen Proehl

Queer Eyes: Cross-Gendering, Cross-Dressing, and Cross-Racing Miss Amelia, By Miho Matsui   

A Tale of "two mutes": Cognitive Segregation and Productive Citizenship in Carson McCullers' The Heart Is a Lonely Hunter, By Stephanie Rountree

"The Ballad of Two Sad Cafés":  Nicholasa Mohr's Postwar Narrative as 'Writing Back' to Carson McCullers, By Barbara Roche Rico         

Jester's Mercurial Nature and the Hermeneutics of Time in McCullers' Clock Without Hands, By Craig Slaven