The Aesthetics of Clarity and Confusion: Literature and Engagement since Nietzsche and the Naturalis
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Beschreibung
Table of Contents
Preface and Acknowledgements
Introduction: Literary Activism, Clarity and Confusion
I. Sartre and the Aesthetic of Clarity
II. Adorno and the Aesthetic of Confusion
III. The Use(lessness) of Literature and Language
Part I: Naturalists and Nietzscheans: Codifying Clarity and Confusion
Chapter 1: "For Love of Clarity": Émile Zola, Practice, and the Political Potential of Realistic Literature
I. "Tout voir, tout savoir": Seeing as Knowing
II. Content to Know III. The Practical Uses of ClarityChapter 2: Grounds for Confusion: Nietzsche, Theory, and the Political Potential of Anti-Realism
I. "Das Problem der Wissenschaft": Against Knowing
II. "Clarity Bordering on Stupidity": The Form of Confusion
III. The Practical Uses of Confusion
Part II: Ambiguities of Activism: Complicating Clarity and Confusion
Chapter 3: Between Theory and Practice: Matthew Arnold, Thomas Mann, Julien Benda, and the Purpose of the Intellectual
I. "Apostle[s] of Political Detachment"?
II. Criticism between Clarity and Confusion
III. Criticism as ActivismIV. Between Theory and Practice, Still
Chapter 4: "Different Kinds of Clarity": Science, Sense, and Utilitarian Realism in Bertolt Brecht
I. Naturalist Brecht?
II. The Sense of Brecht
III. "The Truth is Concrete": Brecht's Materialism
IV. "That Brechtian Usefulness"
Chapter 5: Pressing Engagement: Jean-Paul Sartre and the Aesthetic Problem of the Political
I. Communication, Clarity, and Confusion
II. Forms of Engagement: Confusing SartreIII. To Change the Subject: Narcissistic Activism
Chapter 6: An Other Engagement: Simone de Beauvoir and the Ethical Problem of the Political I. The Problem of Engagement
II. The Aesthetics and Ethics of Engagement in The Mandarins
Conclusion: Contemporary Engagements with Clarity and Confusion
I. Peter Handke: From the Ivory Tower
II. Toni Morrison: "How to See without Pictures"
III. J.M Coetzee: "Surprising Involvement"
Works Cited